A Valentino Mystery Series by Loren D. Estleman
A Valentino Mystery #1
Frames
Loren D. Estleman
Enter Valentino, a mild-mannered UCLA film archivist. In the surreal world of Hollywood filmdom, truth is often stranger than celluloid fiction. When Valentino buys a decrepit movie palace and uncovers a skeleton in the secret Prohibition basement, he's not really surprised. But he's staggered by a second discovery: long-lost, priceless reels of film: Erich von Stroheim’s infamous Greed.The LAPD wants to take the reels as evidence, jeopardizing the precious old film. If Valentino wants to save his find, he has only one choice: solve the murder within 72 hours with the help of his mentor, the noted film scholar Broadhead, and Fanta, a feisty if slightly flaky young law student.Between a budding romance with a beautiful forensics investigator and visions of Von Stroheim’s ghost, Valentino’s madcap race to save the flick is as fast and frenetic as a classic screwball comedy. A quirky cast of characters, smart dialogue and a touch of romance make this Estleman's most engaging and accessible novel to date.From Publishers WeeklyHaving appeared in 10 short stories in Ellery Queen Mystery Magazine, self-described film detective Valentino, who works as a film archivist at U.C.L.A., makes his novel-length debut in the engaging first of a new series from Shamus-winner Estleman. Valentino stumbles on the find of a lifetime when he inspects the Oracle, a decaying 1920s movie theater he's considering purchasing. An abandoned storage room contains reels of film that may be the only surviving prints of Erich von Stroheim's legendary epic, Greed. The further discovery of a skeleton of unknown vintage in the old building complicates matters. Aided by academic colleagues, Valentino tries to eat his cake and have it, too, by cooperating with the police inquiry into what might be a case of foul play without revealing the existence of the film reels, which he fears might be damaged if seized as evidence. While the lighthearted tone is far removed from the gritty realism of the author's Amos Walker series (American Detective, etc.), the versatile Estleman has crafted yet another intelligent page-turner. (May) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From BooklistStarred Review Genre veteran Estleman debuts a new and wonderfully entertaining series starring a UCLA film archivist. Departing dramatically from the classic hard-boiled style of his Amos Walker novels, Estleman has concocted a jaunty, thoroughly endearing screwball comedy-mystery in which the aptly named archivist Valentino teams with a venerable film historian and a hip, slightly loopy grad student to solve a murder, rehab a movie palace, and restore a long-lost, uncut print of the Erich von Stroheim classic Greed. It all starts when Valentino buys the crumbling theater and finds the abandoned reels of von Stroheim’s film in a walled-off storage room. Unfortunately, there is also a skeleton in the closet, the remains of a long-ago murder, and the police demand that Valentino surrender the film canisters within 72 hours or face prosecution. That leaves him three days to solve the crime or risk having the police mishandle and potentially ruin the fragile film. As Valentino and his buddies careen about Los Angeles, visiting a home for retired movie workers and researching the provenance of the movie palace, Estleman smoothly seeds the text with all manner of fascinating details relating to the history of silent films and the techniques of modern film restoration. There’s even time for a nifty romance between Valentino and an LAPD forensics investigator. Great cast, great subject, flawless delivery from a real pro. --Bill Ott
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A Valentino Mystery #2
Alone
Loren D. Estleman
The second wacky comedic murder romp for Hollywood film detective ValentinoValentino wants to keep The Oracle, his beloved run-down movie palace, from being condemned before it even reopens, but murder keeps intruding into his otherwise quiet life. At a gala party held in memory of screen legend Greta Garbo, he’s having fun until the host, a hotshot developer named Matthew Rankin, tells Valentino about a certain letter from Garbo to his late wife. She and Garbo had been…close.Such a letter is of great interest to a film archivist like Valentino, but the the plot thickens when Rankin tells Val that his assistant, Akers, is using this letter to blackmail him. Val is appalled by the thought of blackmail…but that letter sounds juicier all the time. Returning to Rankin’s mansion after the party, Val finds Rankin sitting at his desk with a pistol in his hand, looking at Akers’s dead body on the floor.Valentino’s in a quandary. He’d love to see that letter, but he can’t. He’s gotten his girlfriend—who works for the police—in trouble, so his love life is, pardon the expression, shot to hell. Worse yet, the building inspector has kicked him out of his unfinished living space in the Oracle, so he takes his life in his hands and moves in with his eccentric mentor, the elderly, insomniac Professor Broadhead. No love, no sleep, no letter—life isn’t fair!
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A Valentino Mystery #3
Alive!
Loren D. Estleman
Bela Lugosi’s Frankenstein screen test puts Valentino in the picture for murderBela Lugosi's Frankenstein screen test puts Valentino in the picture for murderEveryone knows the Frankenstein monster was played by Boris Karloff. His portrayal is so famous that the play Arsenic and Old Lace was filled with Karloff/monster jokes-even when the part of the monstrously deformed villain was played by another actor. But before Karloff's memorable portrayal, another famous 1930s Hollywood icon, Bela Lugosi, tested for the part of the monster.The screen test footage was lost for decades, until Valentino, that never-say-die film archivist, gets a hot tip about the whereabouts of the incriminating (for really bad, heavily accented acting) footage. But it comes with a price far greater than the money he'll have to pay. Someone would kill to get that reel of film, and that makes Valentino a mortal obstacle who would rather not die for art. People have already been murdered for the film, and Val doesn't want to push his luck…but boy, that reel is too good to let go…. Enter a crew of steampunk fans. Loving the arcane strangeness that is Valentino's life-not to mention the completely glam prospect of seeing the original filmic Count Dracula as the Frankenstein monster-they will find a way to save Valentino and Lugosi's infamous screen test. Or if they can't do that, have a great party anyway. Val just hopes it's not a wake.…In Alive!, Loren D. Estleman delivers a mystery that only he can.LOREN D. ESTLEMAN has written two previous Valentino, film detective murder mysteries, and almost seventy books all told. Winner of four Shamus Awards, five Spur Awards, and three Western Heritage Awards, he lives in Central Michigan."Shamus-winner Estleman's captivating second mystery to feature L.A. film detective Valentino. Readers will eagerly turn the pages."-Publishers Weekly, starred review on Alone"Frames melds Estleman's love of movies with his gift for swift, satisfying storytelling."-San Francisco Chronicle"Great cast, great subject, flawless delivery from a real pro."-Booklist starred review on Frames"Frames is gripping entertainment. If you love movies, you'll love this mystery."-Lawrence Kasdan, Oscar Award-nominee "Estleman has scripted yet another wacky comedic mystery. His snappy dialog, feisty characters, Hollywood lore, and gentle romance make this his funniest to date."-Library Journal on Frames"Estleman has laid claim to a fresh new franchise and the turf is all his. My hat's off to him."-Sue Grafton, New York Times #1 bestselling author on Frames
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